Basic Practice

November 3, 2009

The following sections group the relaxation and vision building techniques into basic practice sessions. The groupings are suggestions to help you get started with your own practice plan. Because some techniques work better for some people than others, you will have to experiment to find the practice plan that works best for you. If you find you cannot stick to a program, you might want to find a teacher to assess your needs and customize a program for you, or work with a partner.

A partner or teacher can direct your attention to things you may not be aware of. For example, if you do not have a good sense of motion, you are probably not noticing enough details. A partner or teacher can help you pick out details. If you have a good sense of motion, but your eyesight is not improving, a partner or teacher can tell you to concentrate on other vision building techniques such as central fixation or memory.

If you wear glasses, you will find the first part of correcting your eyesight is overcoming the strain caused by the glasses. After that, you should concentrate on the mental state that caused your eyesight to weaken in the first place. To change your mental state, you have to awaken your interest at the distance where your vision is not normal.

Foundation Techniques

The foundation techniques provide the groundwork for techniques to come. The goal is to get a conscious experience of a different level of relaxation when you see.


Sun for 10 – 15 minutes with your eyes closed followed by 5 minutes of blinking into the light. The light relaxes your eyes and mind, and the heat soothes tight muscles.

  • The light should be comfortable. Get the correct distance from the lamp.
  • Sunning can be done several times a day.
  • You can sun with your eyes closed until you are accustomed to the light.
  • If your eyes are sticking on the light, follow along the shifter.
  • If you start to stare at any time during the session, sun some more.
  • Start keeping a record of things that affect your vision.


Palm for a few minutes. Visual purple is depleted by light and replenished by darkness. Light and dark contrasts stimulate the visual purple. Palming gives the mind a new opportunity to go into a relaxed state. It soothes and relaxes.

  • Play music while you palm.
  • Turn your head from side to side with your eyes closed while you palm. Imagine the sun moving from one ear to the other to get a short swing going. Sometimes moving your head up and down is better than turning it side to side.


Practice blinking for a few minutes to help break up the mental stare. Transfer the feeling of relaxation you achieved through palming to blinking. A restful blink is when you close your eyes for a few seconds and remember the restful state of palming. After awhile the blinking obtains a restful state on its own.

The mind is straining when the eyes are held open. Once you get flashes of better vision, you might tend to stare and not blink and lose the restful state of mind. Blinking is essential at times like this. Blinking keeps the state of relaxation all day.

  • Blink with one eye. Close your eyes for a moment and blink the other eye. In time, switch blinking from one eye to the other without closing the eyes.
  • Use the air cushion technique to start a blink. Cover one eye and bring the other hand over the other eye pushing and suctioning the eyelid open and closed. Do for 5 minutes at a time 6 or 7 times a day.
  • Start the morning with 3 – 5 minutes of blinking to get into the habit. When you notice yourself staring, blink for a minute or two to break up the stare.
  • Move your head from side to side or look from one point to another with a body sway.
  • See with your nose as if there is a paint brush or a pointer on the end of the nose. Extend your nose out with a brush at the end that brushes over every point on the way. Be careful to not go out on the pointer to see, instead of letting the images come in. Brush with your eyes closed and opened.
  • For close vision, close your eyes and use your finger to draw on a point between the eyes. The mind follows the movement of the fingers.

Motion Techniques

With enough practice, a sense of motion becomes natural because motion is integral to normal eyesight.

  • 10 – 15 minutes of foundation techniques.

– Sunning
– Palming
– Blinking
– Pressure points and massage
– Shifting

Vision Building for Nearsight

Nearsighted persons need to gain a sense of things moving when they move.

  • Finger swing.
  • Short swings, especially the sway. Keep the memory of the motion when you hold your body still.
  • Long swing to dynamic music for 15 to 20 minutes. Compare the long swing to the sway by going back to the sway. Notice the motion. Get a sense of the world moving by you rather than you moving through the world.
  • Edging

Vision Building for Farsight

Farsighted persons need to develop an interest in details at the near point.

  • Reading with memory of white between paragraphs
  • Finger swing.
  • Short swings, especially the sway.
  • Memory swing. Start with a sway, then keep the memory of the motion when you hold your body still.
  • Long swing with peaceful music for 15 to 20 minutes. Compare the long swing to the sway by going back to the sway. Notice the motion. Get a sense of the world moving by you rather than you moving through the world.

Nearsight and Farsight Techniques

The emphasis is on refining relaxation and vision building techniques.

  • Foundation techniques
  • Motion techniques

Vision Building for Nearsight

  • Swinging and edging.
  • Reading with very small print with an awareness of the thin white line. Move your head from side to side while you read to maintain involuntary shifting.

Vision Building for Farsight

Refine reading. Move the head from side to side while reading to get the involuntary shifting going. Direct attention towards the white and develop a sense of motion when you read.



September 28, 2009

To remember something perfectly or imagine something in vivid detail, the mind has to be completely relaxed. People with photographic memories have very relaxed minds, and would have very clear vision if they knew how to transfer their extremely relaxed state of mind to how they see.

Memory and imagination techniques are practiced after motion and centralization techniques have relieved enough eyestrain so the mind is in a relaxed state. Memory and imagination techniques take the mind to a much deeper state of relaxation to refine the vision into sharp focus.

One day I was riding in the car with one of my students. He was having trouble reading the freeway signs, and I pointed out that he should stop fixating on the fact that the signs appear a little blurry and look for letters that pop out and notice the length of the word instead. But I told him to make himself present first by feeling his feet on the floor and hands on the steering wheel. When he did what I asked, his imagination awakened and he and found he could guess at the words on the signs with amazing accuracy. His vision also cleared.


Memory is an important tool for refining vision. If something is round and you remember it round, you will see its roundness clearly when you look at it. If you stare at a memory, the memory disappears. Perfect memory brings about the state of mental ease, mental focus, and a feeling of being in the present moment.

The memory techniques increase shifting and relieve any eyestrain you might have when you focus your eyes. This leaves your mind and eyes free to focus on what you see. Memory techniques work well when you have a good visual memory, or if you have normal sight at some distance (it does not matter what distance). If you do not have a good visual memory, the techniques can help you improve your visual memory, which in turn, improves your vision.

Types of Memory

There are three major types of memory: visual, kinesthetic, and auditory. Most people predominately use one or two of the three types. If you know your type, you can gear the memory techniques to your best advantage. You can also develop other types of memory by practicing the techniques according to the types of memory you do not use often or at all.


People who are strongly visual are thinner, well put together, have a higher voice, and use a lot of visual words. If you predominately use visual memory, slow down and lower your voice as a precursor to relaxation.
Practice flashing (described below) to encourage your visual memory. This works because the visual memory is faster than the auditory or kinesthetic memories and flashing requires quick image recall. Also practice central fixation.

Kinesthetic Memory

People who are highly kinesthetic put comfort before looks. Some kinesthetic people respond to external sensations and are aware of their extremities.

Practice memory techniques by holding the object in your hand. Notice how it feels when your vision is clear as opposed to when your vision is not clear. Keep the memory of the feeling of clear vision.

Auditory Memory

People who are strongly auditory have a rhythm with their walk and ups and downs in their voices.

Practice the memory techniques by incorporating a short swing with the object. Also, keep a memory of the short swing at different distances at all times. Start the swing with your body moving, and then stop your body and keep the feeling of the movement.


Begin by practicing memory techniques on what is in front of you at a comfortable distance to take advantage of the state of mental ease you already have at that distance.

Goal – Palm and accept images (flashing). The palming part can be done with eyes closed or eyes opened.

Steps – Take breaks during the day and practice flashing with items on your desk.

  • Place an interesting object in front of you when you palm.
  • Open your hands quickly to get a mental image.
  • Close your hands again to cover your eyes, and remember the image.
  • Palm like this for five minutes every hour.

Other Ideas –

  • Palm and remember a pleasant experience.
  • Flash with a deck of cards by pulling the cards up one by one, looking at them quickly, saying their names out loud (ace of spades), and going on to the next card. This technique builds the visual impulse because there is not enough time to strain to see.
  • Look at one corner of a simple picture, close your eyes, and remember the corner.

Explanation – Flashing is a good way to build mental images, and strong mental images help you see clearly.

Hints – If the memory goes away, it is because you do not have shifting to shift over the points in the image to maintain the memory of the image. Practice shifting by sunning, palming, and swinging.


Goal – Allow images to flow into your mind when you remember.

Steps – Practice this several times a day.

  • Pick an object in your environment and let your eyes shift around it in a drifting swing.
  • Close your eyes and shift around the object in your memory.
  • Open your eyes and remember the feeling of the memory of the object with your eyes closed.

Hints – Relax when you open your eyes and do not try to see anything. Let the image flow into your mind. Elongate your head and neck to reduce the strain on your head, neck, and spine.

Explanation – Your eyes have to paint the picture in your mind by shifting. If you stare at the whole picture in your mind, you lose the memory. Keeping the memory with the eyes open prevents you from mentally projecting the picture out and causing eyestrain.

Memory of a Letter

Goal – Use memory to see print clearly.

Steps – Practice this technique whenever you read. If you are farsighted, this technique will help you see smaller print. If you are nearsighted, this technique will help you see print in the distance. Reading is covered in more detail in Chapter 7: Healthy Reading Habits.

  • Find a letter such as the letter Z on a printed page (black print on white is best) and look at it at the distance where you see best.
  • Remember it when you close your eyes and retain the same relaxed state with your eyes closed.
  • Look at the floor and open your eyes maintaining the memory of the Z.
  • Repeat, but this time when you open your eyes, look at a blank wall keeping the memory of the Z.
  • Repeat, and this time let your eyes move up the wall keeping the memory of the Z. If the Z begins to fade, go back to the object and regain the memory.

Explanation – When you make an effort to remember, the memory fades.

Memory of an Object in its Environment

Goal – Have perfect memory at different distances and at a small point. Create a relaxed state where the mind does not go out to see, but light flows into the eyes and is registered by the mind. A simple memory of anything with detail can sharpen your vision.

Steps – Pick an object in your environment to remember. Shapes, letters with serifs, or any object near you will work. It should have enough detail to keep your interest, but not too much detail so it is difficult to remember.

  • Recall the object with your eyes closed until the visual memory is equal to or close to equal to the real object. The size, color, and position relative to your periphery should be the same with your eyes closed and with your eyes open.
  • Recall the object with opened eyes against a blank surface in the room (a wall or table top) at your best distance.
  • Try other distances. If the memory starts to go away with opened eyes, recall the object with your eyes closed.
  • Recall the object with opened eyes against detailed surfaces in the room (carpet or closed drapes) at your best distance.
  • Try other distances.

Explanation – Memory works the same way as vision. The mind shifts over many points to get the image. You remember an object when you have an image of the object – its shape, color, position in relation to the periphery, and you maintain the same feeling with your eyes closed that you had with your eyes open. Do not make work out of the memory. Just think about it.

Hints – Do not project the memory out. Remember the object with your eyes open at the same distance and size as it is with your eyes closed. Ask yourself if the object is on the wall or in your mind. It should be in your mind. If it is on the wall, you are not being present when you see and present when you remember. Memories can help the vision if you bring yourself into the present.

If you get a negative after image, you are remembering with strain. If you tend to strain on a memory, move a part of your body to break the strain. If you have trouble getting a mental picture, you do not have central fixation developed enough. Go back and practice the central fixation techniques.


Practice the “Memory of an Object in its Environment” on 49, but use an apple or other fruit as the object. Include the crunch, taste, and smell of the apple as part of the memory.

One Eye at a Time

Practice the “Memory of an Object in its Environment” on 49, but work with one eye at a time by covering one eye. This will correct a distortion in the open eye.


Goal – Use memory to improve vision at the far point.

Steps – Close your eyes and pretend to draw pictures on your extended hand, or make a 1/4 inch circle on your forefinger with your thumb.

Explanation – These techniques bring the attention in and create an internal swing that moves with your mind and eyes.

Hints – Be aware of points in the circle by counting numbers. The thumb works best when you are aware of the connection between you and your thumb.


Goal – Use memory to improve vision at the near point.

Steps – WIth your eyes closed, draw letters of the alphabet with your index finger on bridge of your nose between the eyes.

Explanation – This brings your attention in.

Hints – If you have a turned-in eyes, draw the letters on the side of your temple instead.


If you can keep a memory when looking at the blank surface, but lose the memory when you look at objects with your eyes open, the best thing to do is dodge to a blank surface or to closed eyes. Dodging allows the memory to stay because it keeps the mind from fixing on what your eyes are seeing.

Memory Swing

Do a short swing on an object and remember it swinging with your eyes closed. Now remember it swinging with your eyes open. Practice the memory swing whenever social conditions prevent practicing short or long swings.


Hold two cards at different distances. Look from one card to the other and retain the memory of the last one while looking at the current one.


Palm and have someone read you a story. Create mental images as you listen to the story.

Black Dot

Find a small black dot such as a solid black period in text. Use memory and palming to remember the black dot. Get a short swing going with the dot in your mind.

Keeping a Memory when Seeing

Find an object you like and remember it all the time to maintain the state of clear vision. For example, think of an apple, and look in the distance and remember the apple.

Stimulating the memory stimulates the vision and vice versa. If you remember detail, you think details, and therefore, you see details. Keep a visual picture in your mind at all times.

Keep a a picture of yourself before you wore glasses near you to help you remember the state of mind of clear vision. Never remember blurred vision. Take yourself back to a time when you had clear vision by talking about it to a partner or friend.